Often trees are conductors of the absolute, the sidereal cuss
eternity. the blow escapes the rehab and into the fire as known
but
lost coupons short of your toaster of existence. the mind needs consciousness,
consciousness does not need mind. Bon Voyage.. when the body revolts within itself, and parts battle
parts,
it's the last revolution, the last pogo, follow the few that
have wisdom, don't let it deceive with knowledge, the brass ring of annihilation, you'll be recognized by a chip, and maybe it will be all that's left..
eternity. the blow escapes the rehab and into the fire as known
but
lost coupons short of your toaster of existence. the mind needs consciousness,
consciousness does not need mind. Bon Voyage.. when the body revolts within itself, and parts battle
parts,
it's the last revolution, the last pogo, follow the few that
have wisdom, don't let it deceive with knowledge, the brass ring of annihilation, you'll be recognized by a chip, and maybe it will be all that's left..
Saturday, May 31, 2014
Pablo Neruda (1904-1973)
In My Sky At Twilight
In my sky at twilight you are like a cloud
and your form and colour are the way I love them.
You are mine, mine, woman with sweet lips
and in your life my infinite dreams live.
The lamp of my soul dyes your feet,
the sour wine is sweeter on your lips,
oh reaper of my evening song,
how solitary dreams believe you to be mine!
You are mine, mine, I go shouting it to the afternoon's
wind, and the wind hauls on my widowed voice.
Huntress of the depth of my eyes, your plunder
stills your nocturnal regard as though it were water.
You are taken in the net of my music, my love,
and my nets of music are wide as the sky.
My soul is born on the shore of your eyes of mourning.
In your eyes of mourning the land of dreams begin.
and your form and colour are the way I love them.
You are mine, mine, woman with sweet lips
and in your life my infinite dreams live.
The lamp of my soul dyes your feet,
the sour wine is sweeter on your lips,
oh reaper of my evening song,
how solitary dreams believe you to be mine!
You are mine, mine, I go shouting it to the afternoon's
wind, and the wind hauls on my widowed voice.
Huntress of the depth of my eyes, your plunder
stills your nocturnal regard as though it were water.
You are taken in the net of my music, my love,
and my nets of music are wide as the sky.
My soul is born on the shore of your eyes of mourning.
In your eyes of mourning the land of dreams begin.
Joseph Brodsky (1940-1996)
Folk Tune
It's not that the Muse feels like clamming up,
it's more like high time for the lad's last nap.
And the scarf-waving lass who wished him the best
drives a steamroller across his chest.
And the words won't rise either like that rod
or like logs to rejoin their old grove's sweet rot,
and, like eggs in the frying pan, the face
spills its eyes all over the pillowcase.
Are you warm tonight under those six veils
in that basin of yours whose strung bottom wails;
where like fish that gasp at the foreign blue
my raw lip was catching what then was you?
I would have hare's ears sewn to my bald head,
in thick woods for your sake I'd gulp drops of lead,
and from black gnarled snags in the oil-smooth pond
I'd bob up to your face as some Tirpitz won't.
But it's not on the cards or the waiter's tray,
and it pains to say where one's hair turns gray.
There are more blue veins than the blood to swell
their dried web, let alone some remote brain cell.
We are parting for good, my friend, that's that.
Draw an empty circle on your yellow pad.
This will be me: no insides in thrall.
Stare at it a while, then erase the scrawl.
it's more like high time for the lad's last nap.
And the scarf-waving lass who wished him the best
drives a steamroller across his chest.
And the words won't rise either like that rod
or like logs to rejoin their old grove's sweet rot,
and, like eggs in the frying pan, the face
spills its eyes all over the pillowcase.
Are you warm tonight under those six veils
in that basin of yours whose strung bottom wails;
where like fish that gasp at the foreign blue
my raw lip was catching what then was you?
I would have hare's ears sewn to my bald head,
in thick woods for your sake I'd gulp drops of lead,
and from black gnarled snags in the oil-smooth pond
I'd bob up to your face as some Tirpitz won't.
But it's not on the cards or the waiter's tray,
and it pains to say where one's hair turns gray.
There are more blue veins than the blood to swell
their dried web, let alone some remote brain cell.
We are parting for good, my friend, that's that.
Draw an empty circle on your yellow pad.
This will be me: no insides in thrall.
Stare at it a while, then erase the scrawl.
Thursday, May 29, 2014
Wednesday, May 28, 2014
Tuesday, May 27, 2014
Mahatma Gandhi (1869-1947)
Seven Deadly Sins
Wealth without work
Pleasure without conscience
Science without humanity
Knowledge without character
Politics without principle
Commerce without morality
Worship without sacrifice.”
― Mahatma Gandhi
Wealth without work
Pleasure without conscience
Science without humanity
Knowledge without character
Politics without principle
Commerce without morality
Worship without sacrifice.”
― Mahatma Gandhi
Monday, May 26, 2014
Sunday, May 25, 2014
Saturday, May 24, 2014
Esther Belin
Night Travel
I like to travel to L.A. by myself
My trips to the crowded smoggy polluted by brown
indigenous and immigrant haze are healing.
I travel from one pollution to another.
Being urban I return to where I came from
My mother
survives in L.A.
Now for over forty years.
I drive to L.A. in the darkness of the day
on the road before CHP
one with the dark
driving my black truck
invisible on my journey home.
The dark roads take me back to my childhood
riding in the camper of daddy’s truck headed home.
My brother, sister and I would be put to sleep in the
camper
and sometime in the darkness of the day
daddy would clime into the cab with mom carrying a
thermos full of coffee and some Pendleton blankets
And they would pray
before daddy started the truck
for journey mercies.
I like to travel to L.A. by myself
My trips to the crowded smoggy polluted by brown
indigenous and immigrant haze are healing.
I travel from one pollution to another.
Being urban I return to where I came from
My mother
survives in L.A.
Now for over forty years.
I drive to L.A. in the darkness of the day
on the road before CHP
one with the dark
driving my black truck
invisible on my journey home.
The dark roads take me back to my childhood
riding in the camper of daddy’s truck headed home.
My brother, sister and I would be put to sleep in the
camper
and sometime in the darkness of the day
daddy would clime into the cab with mom carrying a
thermos full of coffee and some Pendleton blankets
And they would pray
before daddy started the truck
for journey mercies.
Friday, May 23, 2014
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